Britney Speara Hit
xxx. Hold It Against Me (2011)
Spears previously flirted with dubstep on 2007's Blackout, but it was Concord Information technology Against Me that dragged the and so-underground dance music into the mainstream. A decade afterwards, and its blistering amalgamation of industrial EDM and saccharine pop melodies notwithstanding feels every bit every bit audacious and innovative.
29. Radar (2007)
Included on the Blackout and Circus albums due to a contractual obligation that meant it had to be a single, Radar has taken on meme status amidst Spears fans. Just this slinky electro-popular confection has charm to it, Spears' voice pushed to almost chipmunk levels of artificiality.
28. Till the Earth Ends (2011)
Spears' seventh album Femme Fatale, co-executive produced by her old pal Max Martin, led the charge as Eurodance-inspired pop crashed into the charts. Just Spears, now a dancefloor veteran, added a bit of spice to what was an otherwise generic era of pop, a prime number example existence this euphoric yet apocalyptic banger.
27. Me Against the Music (feat Madonna) (2003)
After snogging at the 2003 MTV VMAs, a Madonna and Britney collaboration was inevitable. Whether it would be any skilful was less certain. But Me Against the Music, with its clackity beats and busy acoustic guitar, is a strange just intoxicating piece of frenetic trip the light fantastic pop that's more than worthy of its headliners' star ability.
26. Quicksand (2008)
Criminally relegated to a bonus track from Spears' 6th anthology, Circus, this grief-stricken song, written by Lady Gaga almost the end of a relationship, is a prime number example of the sort of melancholic sonic sandpit Spears should play around in more.
25. Make Me (feat G-Eazy) (2016)
After releasing a few duds, a lot was riding on the quality of Spears' ninth album Glory. It more than than delivered, though, with lead single Make Me exemplifying the place she landed artistically. Built around luxuriant, pillowy synths and warm electrical guitars, Spears sounds the most engaged and relaxed she has in years. But don't mention the horrible G-Eazy rap.
24. Get Naked (I Got a Plan) (2007)
While there are more groundbreaking moments on Spears' fifth album Coma (Freakshow incorporated dubstep even earlier than Concord It Confronting Me), this song best demonstrates the lubricious darkness of the album, Danja'southward demonic chanting and deranged synths coalescing with Spears' come-to-bed vocals into something monstrous and thrilling.
23. 3 (2009)
Recorded specifically for Spears' second greatest hits album, The Singles Collection, this ridiculously sexed-upwardly oddity virtually indulging in a menage a trois is so sugary it'll rot your teeth and the just song about threesomes to make reference to American folk group Peter, Paul and Mary.
22. Lucky (2000)
There are a number of songs that pepper Spears' discography that are eerily prophetic. Her cover of My Prerogative is 1 notable example, as is Lucky. Dressed up as a sparkly early 00s have on doo-wop, information technology's a agonizing all the same syrupy rumination on the bitterness of fame that explores how prestige and glory obfuscate isolation and fear.
21. Slumber Party (2016)
The last single Spears released earlier the at present infamous "indefinite work hiatus", Slumber Political party is packed total of her signature innuendo and winking come-ons. At that place are echoes of Drake's Hotline Bling in the syncopated synths and plush production, which glides around Spears' hot-and-heavy vocals until an explosion of horns during the vocal's concluding act.
twenty. And Then We Kiss (Junkie XL remix) (2003)
Initially meant for Spears' quaternary anthology In the Zone, the original version of this song has never officially been released (it is floating effectually online). This remix, however, gives this curious and wistful song a cinematic quality; the aquatic beats, Ray of Light-esque guitars and longing strings emphasise the lust in Spears' vocalization.
19. Breathe on Me (2003)
This In the Zone album rails is the sexiest song in Spears' discography, a dive into voyeurism and tantric sex activity consummate with pulsating bass, techno-inflected beats and her breathy moans and ASMR-worthy song fry. "We don't demand to touch, merely breathe," she whispers at the cease of a chorus that'south so steamy it'll fog your sleeping accommodation window.
18. Break the Water ice (2007)
Co-written by Keri Hilson and produced by Timbaland protege Danja, who helmed about of Spears' 5th album Blackout, this explosive slice of futuristic electro-R&B is so confident, Spears can even pull off the lyric: "I'm gonna hit defrost on ya / allow's get information technology blazing." One to dirge hungover to your microwave repast for one.
17. Unusual You (2008)
Tucked away on her album Circus, Unusual You is an experimental electro-carol reminiscent of the collaborative work betwixt Imogen Heap and Guy Sigsworth. Producers Bloodshy & Avant manage to pull out the insecurities and delicacy in her voice, while maintaining the singer's post-2007 penchant for robotics, resulting in something that's haunting and surprisingly tender.
16. Work Bowwow (2013)
"Go call the po-lice / become call the governuh," Spears barks in a bizarre LA-cockney-Chelsea accent on this relentless EDM ridicu-banger, taken from her poorly received eighth album Britney Jean. It'south either a satiric glorification of backer society or a consumerist fever dream: either way, when Spears demands "you better piece of work, bitch", it'southward hard not to obey.
15. Womanizer (2008)
Dubbed the "comeback" by those around Spears post-obit a chaotic and troublesome fourth dimension in her life, Womanizer feels engineered to be a hit. Built around an insanely repetitive claw ("Womanizer, woman-womanizer, y'all're a womanizer …"), it's a slick, almost annoyingly catchy wallop of the kind of dance-popular that Spears has mastered.
14. How I Roll (2011)
There are experimental curios on about every Spears album, merely the rubbery elasticity of How I Roll from Femme Fatale is by far the virtually interesting. Singsong, pitch-shifted melodies are paired with Bloodyshy & Avant'southward glitching and effervescent production, all of which feels very proto-PC Music.
xiii. Man on the Moon (2016)
Recalling the hurt that often lurks beneath the joviality of Lesley "It'south My Political party" Gore's work, this whimsical withal melancholic album track from Glory obscures its aching heart and pangs of loneliness backside jolly marimbas and a twanging electric guitar. Spears' sadness breaks through, still, equally she sighs: "I can't compete with the stars in the sky / I'chiliad invisible."
12. (You lot Drive Me) Crazy (The Stop! remix) (1999)
Following upward … Baby One More Fourth dimension probable required the kitchen sink approach, which is why this is as flatulent every bit information technology is. Complete with cowbells, industrial beats, plough-of-the-millennium orchestral stabs, a huge anthemic chorus and Spears purring like her life depends on it, it'southward a gargantuan masterclass in unashamed overindulgence.
11. Born to Make You lot Happy (1999)
This lovelorn mid-tempo may include some questionable and antiquated lyrics that cantankerous from devotional into subservient, but it also houses one of Spears' greatest and almost vulnerable vocal performances. Lapping, watery production gives everything a contemplative and dreamy quality, while hurt and desperation leak from every line she sings, intensifying until the vocal'due south climactic key change.
x. Oops! ... I Did It Again (2000)
"I'k not that innocent," Spears declares on the chorus of Oops! …, which rips apart the melancholic pining of its older sibling … Baby One More Time and replaces information technology with a commanding coquettishness. Piston-like percussion and slapped bass only bolster the sound of someone who'due south just come into her power as a pop star.
9. Impact of My Hand (2003)
Apparently the first song written for In the Zone, Affect of My Hand really ought to have been a single, although the song's themes of sexual cocky-pleasure would have never fabricated it on to the radio in George West Bush-league's The states. Nevertheless, this is i of Spears' nearly sensual and introspective songs, and 1 of the ameliorate odes to masturbation in pop.
8. Everytime (2003)
Spears is no chief balladeer, although Everytime is the exception. A thin and frail lullaby, information technology'south a rare moment of crushing vulnerability for the Princess of Pop that traces the destruction of heartbreak and the quest for absolution from past mistakes. There's no tidy resolution, just Spears desperately seeking forgiveness.
7. Gimme More (2007)
"It'due south Britney, bitch!" is one of the most bright opening lines in the history of pop music taken from ane of the 21st century's defining records, Spears' 5th album Blackout. Crunchy and hypnotic, Gimme More than is a bleary-eyed stomper that brings to mind stripper poles and gluey club floors. When Spears utters: "I only can't control myself," you absolutely believe her.
6. I'm a Slave 4 U (2001)
Spears'due south maturation from bubblegum popular star to grownup sexpot was aided by the Neptunes, who provided the sweaty and sensory production on I'grand a Slave 4 U. Anomalous and exotic synths converge with Spears' charged whispered vocals, which are pushed in the mix to feel equally if she's sultrily groaning right into your ear.
5. Overprotected (2001)
"My life has been and then overprotected," Spears laments on this oddly prescient Max Martin-produced marvel, her voice bristling with frustration and weariness. Pulling in all the sonic punches from previous hits (funky guitars, orchestral hits and stacked chord progressions) and more hooks than seemingly possible, it's an epic coda to her initial partnership with Martin, with whom she wouldn't interact again for well-nigh a decade.
4. Toxic (2003)
The moment that Bollywood string sample kicks in, Toxic grips you by the neck and drags you forth for one wickedly weird ride. Spears delivers a vocal that'south razor sharp, full of difficult consonants and breathy rasps, while the breakneck pace leaves you then febrile that you barely notice the improver of a surf guitar or the crunchy, metallic breakdown halfway through. This is the sound of Spears at the superlative of her ability.
three. … Baby One More than Fourth dimension (1998)
Spears' debut single not simply made her a superstar but ushered in a new era of popular that would shape the world of music for the side by side 2 decades. Along with its instantly recognisable piano riff, her unique vocal delivery is infused with yearning, melodrama and the hot surge of teen hormones. Arguably the best debut unmarried of all time.
2. Slice of Me (2007)
Spears' songs have often grappled with her relationship to fame, but the exhilarating Slice of Me is the only rail to always go into specifics, admitting with a snarl and a snigger. "I'm Miss American Dream since I was 17," she spits over crowing synths and metal beats, her voice so heavily processed it falls into the uncanny valley. A searing takedown of mod celebrity.
1. Stronger (2000)
Any song that begins with a foghorn ought to be applauded. Baking and prickly, this is Spears at her most confrontational ("Hush just stop, there'due south nothing y'all can do or say," she sneers), an exhilarating ride-forth with someone finally challenge their autonomy. The chugging beats and her vocal yelps are combative, while the middle-eight feels similar someone bracing themselves for battle. It'south a pertinent opinion when taken in the context of Spears' life at the moment, only hers is a story of defiance and fortitude. "My loneliness ain't killing me no more," she states cocky-referentially. "I'm stronger than yesterday."
Source: https://www.theguardian.com/music/2021/sep/16/britney-spears-30-greatest-songs-ranked
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